This truly “hands-on” course will teach you how to properly use your agency’s digital camera. You will learn how to properly document all manners of evidence ranging from human injuries to outdoor nighttime crime scenes. The primary focus of this course is to equip you, as the agency photographer, with confidence in how to adjust the camera settings to record both the scene and all related evidence the way you observe them.
We will teach you the skills that are necessary to overcome the lighting challenges that crime, crash, and fire investigations create. You will be immersed in indoor, outdoor, daytime and nighttime practical situations using your departmentally-issued or personal cameras. IPTM’s instructors will work alongside you and share the “tricks of the trade” so that you can become proficient in photographing a variety of scenes.
In addition to the practical exercises, we will emphasize court proven methods for properly recording the scene and archiving the images correctly in compliance with the standards set by the Scientific Working Group on Imaging Technology (SWGIT).
- The 3 primary camera shooting modes
- Familiarization with departmentally issued cameras
- Basics of scene documentation
- Footwear, tire tread, injury, and macro close-up evidence photography
- Daytime/Nighttime flash photography and painting with light
- Digital image archiving as related to chain of custody
On the second day, class will run into evening hours.
Patrol officers, crime scene technicians, newly assigned and seasoned detectives, investigations supervisors, crime scene technicians, medical examiner and coroner investigators, military investigative personnel, and attorneys
What to Bring
- Digital camera (SLR format preferred)
- Memory cards
- Card reader that accepts your camera's memory card
- External flash for mounting on the camera's hot shoe
- Off-camera sync cord
- Extra batteries for the camera and flash unit
- Battery charger
- Work clothes for outside activities (including inclement weather)
- Laptop for reviewing photos following hands-on projects
- Remote shutter release cable or wireless remote
- Circular polarizing filter that will fit your camera's lens (i.e. 52mm, 62mm, 72mm, etc.)
What Our Students Are Saying
- “Awesome, awesome, awesome instructor!!” – I.J.
- “Outstanding course-lectures are on point; good visual aids of topics. Practicals reinforced lectures.” – C.S.
- “Imparted a great deal of operational knowledge covering all environments and situations I am likely to encounter.” – S.H.
- “Excellent in all areas, hands-on, especially the night photos.” – J.S.
- “Started at a basic level and progressed very easily/comfortably to more difficult situations.” – R.M.
- “Instructor knowledge and real-world experience. Hands on work with instructors actively helping.” – M.S.
- “The amount of info is perfect for a 3-day course.” – M.B.